Making Curriculum Pop


shakespeare
Stephen Greenblatt in the New York Times argues that teaching Shakespeare still is meaningful to today's students but frequently in new and unexpected ways. "Shakespeare has not lost his place in this new world, just as, despite the grim jeremiads of the cultural pessimists, he has not lost his place in colleges and universities. On the contrary, his works (and even his image) turn up everywhere, and students continue to flock to courses that teach him, even when those courses are not required. But as I have discovered in my teaching, it is a different Shakespeare from the one with whom I first fell in love. Many of my students may have less verbal acuity than in years past, but they often possess highly developed visual, musical and performative skills. They intuitively grasp, in a way I came to understand only slowly, the pervasiveness of songs in Shakespeare's plays, the strange ways that his scenes flow one into another or the cunning alternation of close-ups and long views. When I ask them to write a 10-page paper analyzing a particular web of metaphors, exploring a complex theme or amassing evidence to support an argument, the results are often wooden; when I ask them to analyze a film clip, perform a scene or make a video, I stand a better chance of receiving something extraordinary. A student with a beautiful voice performed Brahms's Ophelia songs, with a piano accompaniment by another gifted musician. Students with a knack for creative writing have composed monologues in the voice of the villainous Iago, short stories depicting an awkward reunion of Shylock and his daughter, Jessica, or even additional scenes in Shakespearean verse. This does not mean that I should abandon the paper assignment; it is an important form of training for a range of very different challenges that lie in their future. But I see that their deep imaginative engagement with Shakespeare, their intoxication, lies elsewhere. And I should add that no one, as far as I can tell, any longer dreams of establishing symbolic descent from Stratford-upon-Avon to substitute for or displace actual descent from Vilnius or Seoul or Johannesburg. Contrary to my expectations, my students at Harvard are far more diverse, in geographical origin, culture and class, than my students ever were at U.C. Berkeley. They embrace this diversity and confidently expect to make their way through a global environment linked by complex digital networks."   

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This article reminds me of my own experience with Shakespeare in college, "I fell in love with him, not through the charm of performance but through the hallucinatory power of his language."  I had never seen a movie or theatrical production of Shakespeare.  As a 20 year teaching veteran, I now realize it's the performance aspect that truly makes the Shakespearean experience unforgettable for many of my students. We are lucky to live near Chicago and "field trip" with our AP kids to the Chicago Shakespeare Theatre at Navy Pier to see Barbara Gaines' amazing direction of the bard's works...and our school sponsors in-house field trips for our juniors, bringing in theatre troupes to perform Macbeth and Romeo and Juliet.  These are always so worthwhile.  Yes, many kids "nod off" in the auditorium, I'm sure.  But some fall in love...just as I did in the 1980s.  

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