Making Curriculum Pop

Special online collection from the Nieman Foundation for Journalism at Harvard - from Frank Baker...

SPRING 2010 | ONLINE EXCLUSIVES

Visual Journalism
Fresh Approaches and New Business Strategies for the Multimedia Age

Photojournalism is changing, propelled by newsroom budget cuts, multimedia possibilities, and the ubiquity of digital images. In Visual Journalism, photojournalists write about emerging digital business strategies and their efforts to expand the reach of their photographs online and on gallery walls. They also share ideas about how to fund projects of personal passion and societal value. Their words tell vital stories about how they do their work; slideshows of their photographs—exclusive to our Web site—and multimedia presentations convey their visual stories. Read and watch as the future of photojournalism unfolds. – Melissa Ludtke, Editor

Visual Journalism
Introduction 
By Melissa Ludtke, Editor
Envisioning Digital
Failing to Harness the Web’s Visual Promise 
Today, too many news organizations still don’t take advantage of digital media’s capacity to give readers contextual information and to engage them in finding out more about the story the pictures tell.
By Fred Ritchin
Meditating on the Conventions and Meaning of Photography 
By Jan Gardner
Journey to a New Beginning 
As the doors of established media slam shut, a photojournalist knocks on new ones to find the promise of more authenticity in his storytelling and greater control over his work.
By Ed Kashi
Multimedia Adds New Dimensions to the Art of Storytelling 
By Ed Kashi
A Different Approach to Storytelling 
‘… photographs require context to tell a more complete narrative. The best thing for photojournalists to do is to slow down, become a little more engaged, and spend a little more time on their projects in a much more intimate way.’
44 Days and the Portrayal of History in Tehran 
Words and Photographs by David Burnett
Steps Learned Along the Way: Redefining Photojournalism’s Power 
‘Even in the best of times, even when highly recognized within the field itself, our images are only tools, not an end in themselves.’ 
By Wendy Watriss
Agent Orange: Pressing the Government to Take Responsibility 
Words and Photographs by Wendy Watriss
New Pathways
In Pursuing a Personal Project, Global Dimensions Emerge 
‘As photojournalists casting about for creative and meaningful direction in the face of … an industry shifting beneath our feet, we may be best served by following the threads of our own experience and then going deeper.’
By Kael Alford
Finding Common Themes in Louisiana and Iraq 
Words and Photographs by Kael Alford
Newspaper Employee to Nonprofit Director: A Photojournalist’s Journey 
The idea behind Wéyo ‘was to capitalize on our collective years of journalism experience and turn our narrative storytelling abilities toward work with nonprofits.’
By Christopher Tyree
‘Lost Boys’ Return to Sudan as Doctors 
Words by Christopher Tyree
Photographs by Stephen Katz and Christopher Tyree
The Impact of Images: First, They Must Be Seen 
Through photographs transformed into comic images and other creative collaborations, the work of a photojournalist is connecting with new audiences in creative ways.
Words and Photographs by Marcus Bleasdale
Photojournalists Reach Viewers in Different Ways 
Using emerging funding strategies and finding fresh venues to display their work, photographers bring foreign news reporting to new audiences.
By Iason Athanasiadis
Shifting Strategies
Partnership of Photojournalist and Writer 
‘With our close collaboration, I felt for the first time as a photographer that I was working with a writer who really wanted to hear what I thought about the story.’
By Melissa Lyttle
Finding an Extraordinary Moment During an Ordinary Ride 
Words and Photographs by Melissa Lyttle
Our Emotional Journey—Traveled Together 
‘Journalism, at its best, is collaboration. No single reporter can ask every question. No photographer can capture every scene.’ 
By Lane DeGregory
The Camera—It’s Only the Starting Point to Change 
‘So how does a global news organization such as The Associated Press get this technology working for us? In short, how do we train our photojournalists to use it?’
By Santiago Lyon
Crossing the Line: From Still to Video—to Both at the Same Time 
Words and Photographs by Julie Jacobson
Gift of Training + Shift in Newsroom Thinking = Multimedia Storytel... 
Words and Photographs by Evan Vucci
Being a Photojournalist Doesn’t Equal Job Security 
After taking a buyout, a longtime newspaper photographer thinks about her future direction in an industry where multimedia now rules and technological know-how is essential.
By Nuri Vallbona
Recognizing the Special Value of Still Photos in a Video World 
By Nuri Vallbona
Visual Literacy
The Still Photograph: Embedding Images in Our Mind 
With his large-scale images, Edward Burtynsky seeks to ‘bring viewers to that point where they begin to grapple with their own consciousness about being in that space.’
Words and Photographs by Edward Burtynsky
A New Focus: Adjusting to Viewers’ Increasing Sophistication About ... 
In an age when visual literacy is common, photojournalists may need to bring fresh sensibilities to their work.
By Jörg M. Colberg
The Fluidity of the Frame and Caption (1 comment)
When keywords become invisible captions and cameras increasingly do what darkrooms once did, how photojournalists approach their job changes.
By Venkat Srinivasan
Rethinking
What Crisis? (1 comment)
‘It’s not about finding new ways to do old things, but time to radically rethink our business models by redefining our products, our partners, and our clients.’ 
By Stephen Mayes
Too Many Similar Images, Too Much Left Unexplored 
Excerpts From an Address by Stephen Mayes
Music Lessons Inform Photojournalism’s Future 
‘The record business died as the digital music business was born. Photojournalism finds itself at a similar juncture now.’
By Ian Ginsberg
Demotix: Inventing a New Marketplace 
Photographers—amateur and professional—send their images to this Web site and split the fee if they are sold for publication.
By Turi Munthe
Remembering
Documentary Photography (1 comment)
The impact that photographs can have is illuminated in a look back at iconic images.
Excerpts from a presentation by Glenn Ruga
Documentary Photographers Have Their Say in Words and Pictures 
By Glenn Ruga
Words & Reflections
What Changed Journalism—Forever—Were Engineers 
‘Like the other engineer that has succeeded in killing journalism’s economic model—Craigslist’s Craig Newmark—Google’s founders have nothing against journalists, newspapers or our search for truth, justice and the American way.’
By Joel Kaplan
A Journalist Joins the Nigerian Government—If Only for A While 
‘I wanted my freedom back—the freedom to be able to tell truth to power.’
By Sunday Dare
When Journalists Were Targets 
Digital Stories Are Being Chosen and Consumed à la Dim Sum 
In the absence of a front page—or even a home page, will readers confront a crisis of context? Or will convenience and a self-confidence in judgment triumph?
By Michele Weldon
It’s Not the Assignment: It’s the Lessons That Come From It 
By Michele Weldon
Connecting What Happened Then With What Happens Now (1 comment)
‘To focus on Don Hollenbeck’s death is to miss the lessons of his life.’
By Stuart Watson
Are Newspapers Dying? The View of an Aspiring Journalist 
‘In The Republican’s newsroom I experienced something of a disconnect between the old vanguard of journalists who filled the paper’s top posts and younger staffers who were frustrated by the few opportunities they had for using multimedia.’
By Sam Butterfield
Moving Across the Border: Teaching Journalism in Hong Kong 
‘As a student from Shenzhen, an industrial city just across the border, said: “Once I’ve discovered all the resources out there, I don’t want them taken away from me.”?’
By Michael J. Jordan
Curator's Corner
Global Health Reporting: Expertise Matters 
For three years global health fellows have been a part of each Nieman class, and the great value rendered by their study and subsequent reporting is measurable.
By Bob Giles

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