Visual Journalism
Fresh Approaches and New Business Strategies for the Multimedia Age
Photojournalism is changing, propelled by newsroom budget cuts, multimedia possibilities, and the ubiquity of digital images. In Visual Journalism, photojournalists write about emerging digital business strategies and their efforts to expand the reach of their photographs online and on gallery walls. They also share ideas about how to fund projects of personal passion and societal value. Their words tell vital stories about how they do their work; slideshows of their photographs—exclusive to our Web site—and multimedia presentations convey their visual stories. Read and watch as the future of photojournalism unfolds. – Melissa Ludtke, Editor
Failing to Harness the Web’s Visual Promise Today, too many news organizations still don’t take advantage of digital media’s capacity to give readers contextual information and to engage them in finding out more about the story the pictures tell. By Fred Ritchin
Journey to a New Beginning As the doors of established media slam shut, a photojournalist knocks on new ones to find the promise of more authenticity in his storytelling and greater control over his work. By Ed Kashi
A Different Approach to Storytelling ‘… photographs require context to tell a more complete narrative. The best thing for photojournalists to do is to slow down, become a little more engaged, and spend a little more time on their projects in a much more intimate way.’
In Pursuing a Personal Project, Global Dimensions Emerge ‘As photojournalists casting about for creative and meaningful direction in the face of … an industry shifting beneath our feet, we may be best served by following the threads of our own experience and then going deeper.’ By Kael Alford
The Impact of Images: First, They Must Be Seen Through photographs transformed into comic images and other creative collaborations, the work of a photojournalist is connecting with new audiences in creative ways. Words and Photographs by Marcus Bleasdale
Photojournalists Reach Viewers in Different Ways Using emerging funding strategies and finding fresh venues to display their work, photographers bring foreign news reporting to new audiences. By Iason Athanasiadis
Shifting Strategies
Partnership of Photojournalist and Writer ‘With our close collaboration, I felt for the first time as a photographer that I was working with a writer who really wanted to hear what I thought about the story.’ By Melissa Lyttle
Our Emotional Journey—Traveled Together ‘Journalism, at its best, is collaboration. No single reporter can ask every question. No photographer can capture every scene.’ By Lane DeGregory
The Camera—It’s Only the Starting Point to Change ‘So how does a global news organization such as The Associated Press get this technology working for us? In short, how do we train our photojournalists to use it?’ By Santiago Lyon
Being a Photojournalist Doesn’t Equal Job Security After taking a buyout, a longtime newspaper photographer thinks about her future direction in an industry where multimedia now rules and technological know-how is essential. By Nuri Vallbona
The Still Photograph: Embedding Images in Our Mind With his large-scale images, Edward Burtynsky seeks to ‘bring viewers to that point where they begin to grapple with their own consciousness about being in that space.’ Words and Photographs by Edward Burtynsky
The Fluidity of the Frame and Caption(1 comment) When keywords become invisible captions and cameras increasingly do what darkrooms once did, how photojournalists approach their job changes. By Venkat Srinivasan
Rethinking
What Crisis?(1 comment) ‘It’s not about finding new ways to do old things, but time to radically rethink our business models by redefining our products, our partners, and our clients.’ By Stephen Mayes
Music Lessons Inform Photojournalism’s Future ‘The record business died as the digital music business was born. Photojournalism finds itself at a similar juncture now.’ By Ian Ginsberg
Demotix: Inventing a New Marketplace Photographers—amateur and professional—send their images to this Web site and split the fee if they are sold for publication. By Turi Munthe
Remembering
Documentary Photography(1 comment) The impact that photographs can have is illuminated in a look back at iconic images. Excerpts from a presentation by Glenn Ruga
What Changed Journalism—Forever—Were Engineers ‘Like the other engineer that has succeeded in killing journalism’s economic model—Craigslist’s Craig Newmark—Google’s founders have nothing against journalists, newspapers or our search for truth, justice and the American way.’ By Joel Kaplan
Digital Stories Are Being Chosen and Consumed à la Dim Sum In the absence of a front page—or even a home page, will readers confront a crisis of context? Or will convenience and a self-confidence in judgment triumph? By Michele Weldon
Are Newspapers Dying? The View of an Aspiring Journalist ‘In The Republican’s newsroom I experienced something of a disconnect between the old vanguard of journalists who filled the paper’s top posts and younger staffers who were frustrated by the few opportunities they had for using multimedia.’ By Sam Butterfield
Moving Across the Border: Teaching Journalism in Hong Kong ‘As a student from Shenzhen, an industrial city just across the border, said: “Once I’ve discovered all the resources out there, I don’t want them taken away from me.”?’ By Michael J. Jordan
Curator's Corner
Global Health Reporting: Expertise Matters For three years global health fellows have been a part of each Nieman class, and the great value rendered by their study and subsequent reporting is measurable. By Bob Giles