Started by Ryan Goble Aug 6, 2019.
Started by Ryan Goble Jun 9, 2019.
Started by Ryan Goble Jun 9, 2019.
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Please check out my new textbook, World Affairs in Foreign Films:
http://www.amazon.com/World-Affairs-Foreign-Films-Middle/dp/0692587...
Sorry about the last post - I strangely thought I was in the math group! Life is odd like that :)
Regina - if you are looking for specific feedback you should post above as a Crowdsource question - if not you still might post above with - perhaps a sample of the lessons or a screenshot so we can share with a wider audience during the week in review! Great to have you back in the mix! RRG:)
Hello All, getting back into this after a long absence. Enjoy much about using film as pedagogical tool. will be submitting some self-created lessons to use in the modern language classroom to promote intercultural dialogue and understanding which hits upon the 5C's of language learning standards. See link http://www.actfl.org/sites/default/files/pdfs/public/StandardsforFL...
Hi Kelli - this might be a cool resource to add into the discussion forum above - things posted on the wall tend to get buried over time. Great ideas btw!
Has anyone here tried to connect "The Stoning of Soraya M." to "The Lottery"?
I tried hard last year with mixed results.
Here are some of the resources I put together for that unit!
Hi Tim! Great question. Unfortunately, things like this - when posted on the wall - tend to get buried / lost. For that reason do consider re-posting the question up above us in the discussion forum as a crowdsource question. That way you have a dedicated URL and I can share your ? on a Crowdsource Tuesday!
I will be teaching a college course, "Comics, Graphic Novels and Film" and I would love to know your recommendations, both of books to read and film adaptations to view. Thanks!
http://www.tc.columbia.edu/calendar/?EventID=10124
What should be important or interesting about the title sequence of a movie? With its eye on education, opening credits tell us a lot about the aesthetic and economic conditions of a film, ultimately leading to a manipulation of perception.
Hi Michele!
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